One Ticket for Lomography Please | The lights are down low and you sink into the plush velvet depths of your seat, letting the atmosphere engulf you as you savor pieces of warm, buttery popcorn. You listen to the soft rustle of the audience filling their seats. Then, the curtains draw open and the screen lights up before you like a beacon of happiness. Are you ready? The analogue movie night begins… |
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EMPTY SPACES by Alfredo Buonanno | Shot with the Lomogon 2.5/32 Art Lens. | An exciting film fuelled by bold colors and edgy vignetting, Alfredo expertly utilizes the aperture wheel to switch apertures whilst recording, creating tantalizing transitions. Using wide-angles and captivating close-ups, Alfredo effortlessly captures the world in motion. |
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PLUS A SPECIAL FEATURE FOR THE LOMOKINO: | This nifty film camera allows you to shoot a retro-style movie of up to 144 frames on any 35 mm film. Our Lomographers have been busy creating short films for our cinematic showcase. Here’s what’s coming up: |
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SNOKINO by Sira Pocovi | A timeless tale of a snow day filmed in black and white. Let yourself be inspired by Sara’s romantic shorts filmed on this unique analogue camera. |
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Closing Credits | For more fun on film, create a LomoHome to upload your own movies, follow us on YouTube to enjoy more cinematic delights or tag us on social media using #heylomography. We can’t wait to see what you can create! |
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We’d like to thank the following people for their photos: nadinadu. |
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Lomography International: Kaiserstraße 34/12, 1070 Vienna, Austria, +43-1-899-440 Lomography USA: 68 Jay Street, Suite 415, Brooklyn, NY 11201, +1-718-422-7581 Lomography Asia Pacific: Flat B2, 6/F, Block B, Yee Lim Industrial Centre, No. 2-28 Kwai Lok Street, Kwai Chung, Hong Kong, +852-2525-5417 |
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Despite the fact that the content of this newsletter was compiled with due care we accept no warranty for the correctness, completeness and actuality of the content provided. Availability of the products featured in this newsletter may vary depending on location. |
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